
Inside the Studio
A Day in the Life of Mira Petkova's Workshop
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.
ArtDoll archive
Studio visits, artist conversations, collecting guides, and essays on material culture.

Inside the Studio
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.

Materials
Start with the object’s function and the figure’s scale, then choose a print method, finish, and display method that can be tested safely.

Process
Build the structure first, then coordinate fur direction, joint clearance, facial details and surface colour for a poseable figure with a clean …

Process
Magnetic closures can make miniature garments easier to handle, but the right choice depends on fabric tension, reinforcement, washability, bulk, and …

Materials
Believable faux-fur shading depends less on one perfect medium than on restraint: preserve the pile, work with its direction, and build colour …

Process
Plan the skeleton at finished scale, match movement to the figure’s purpose, and protect every articulated area before adding padding and faux fur.

Process
Magnetic closures can make collectible-doll garments easier to open and align, but their success depends on scale, reinforcement, garment tension, and …

Process
Firm the felt, keep the form intact where possible, and use shallow, controlled stitches that follow the curve rather than fighting it.

Materials
The right armature is determined by how a figure must move, not by the material name alone.

Process
Magnetic closures can make a doll garment easier to dress, but the best fastener depends on scale, fabric, construction, handling and display …