
Inside the Studio
A Day in the Life of Mira Petkova's Workshop
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.
ArtDoll archive
Studio visits, artist conversations, collecting guides, and essays on material culture.

Inside the Studio
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.

Care & Display
A fired glaze that looks ghostly is usually not blocking enough light. Here is how to find the cause and make the next doll's finish predictable.

Process
Measure the doll, make a toile, and reset ease, seams, and closures before cutting final fabric.

Process
When a doll does not fit standard dollhouse scales, the doll's own measurements must set the scale. Here is a calculation-first workflow for rooms, …

Materials
A practical pre-project swatch method for testing dye absorption, water fastness, and rubbing fastness on the exact wool you plan to felt.

Care & Display
A practical checklist for recording repairs so the doll's later history stays legible to future owners and conservators.

Materials
At 1:6 and 1:4 scale, fabrics that drape well on people can turn stiff and bulky. Here is how to compare materials and test swatches before you cut.

Process
The same techniques that make a human jacket crisp will bulk out a doll in miniature. Underline, trim, and press your way to a clean silhouette.

Process
Stop matching a repeating grid. Choose a motif, place it with intention, and let doll-scale seams work with the print.

Materials
No sealer fits every hand-painted doll. Compare acrylic varnish, urethane topcoat, wax, and fabric medium, then test on scrap before you commit.