
Inside the Studio
A Day in the Life of Mira Petkova's Workshop
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.
ArtDoll archive
Studio visits, artist conversations, collecting guides, and essays on material culture.

Inside the Studio
Light, repetition, and carefully timed pauses shape a working day in Mira Petkova's Sofia studio.

Process
Prevent sagging, twisting, and unstable display by planning the load path, choosing wire for the job, and testing the unfinished armature in stages.

Process
A practical method for transferring, stitching, correcting, and planning embroidery on three-dimensional felted forms without distorting the …

Materials
The best reclaimed material is not simply the most beautiful one, but the cleanest, most stable option for the costume’s scale, function, and intended …

Process
Support the curve, map the surface, and let short controlled stitches—not force—do the work.

Process
A reliable wire support depends on scale, load and attachment—not simply on using thicker wire. Here is how to prevent sagging, exposed ends and …

Materials
Reclaimed materials can bring character to a figure, but only when their condition, cleanliness, stability and role have been properly assessed.

Collector's Guide
A dated, living object record helps makers and collectors identify, care for, repair, and transfer a handmade figure without confusing documentation …

Materials
Durable polymer-clay birds begin with balanced silhouettes, supported projections, strong joins, and baking that follows the exact instructions for …

Process
Choose wire by load, scale, body material, and movement—not appearance alone—and test every attachment before covering the armature.